Die.
Independent
If you're going to release two discs of the dark stuff, do like Tom Waits and put out both discs separately, because most people's depressed episodes don't need a soundtrack that lasts more than 74 minutes. Edmonton MC Ira Lee is not most people. Protests to the contrary aside (Stupid), he has a lot of friends in Critical Mass R&B singers, DJs, francophone MCs and others who add much-needed variety to Die's sardonic mutterings (there's no hardcore left in these soft-serve human beings, from Ground Building Up). Bugs, for example, sees Lee taking a sly metaphor for race hate and turning it into a hip-hop Animal Farm. No scab is left unpicked by Lee's acidic introspection, which, no matter how rhythmically his flow artfully spills over barlines, sometimes crosses over into a self-pitying monologue. But self-pity can be compelling when it's presented right. Is Ira Lee Canadian hip-hop's answer to Bukowski? DAVE MORRIS
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